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Ilya Hot. He often questions and sometimes hesitates, but if his associates explain the why and the necessity, he bends and accepts. He is a businessman who delegates authority and backs up the right of his people to make their decisions. It is this kind of thinking that has given him 15 straight Gold Albums on Columbia.
Has seen him start a successful record company, Barnaby. Has put him among the original owners of one of sports most successful new teams, the Phoenix Suns of the NBA. And, has made him the head of the outstanding golf tournament of the PGA tour, the Andy Wil- liams San Diego Open, which according to Nielsen ratings had the largest golf audience of all time. It is this same type of determination and business acumen that allowed him to return to television with a drastically new format, a format so novel that at first others scoffed.
But, as the ratings climbed it was evident that the Andy Wil- liams magic had worked once again. In each facet of his career, he spends long and thoughtful hours. The first in his office every morning, the last one out each night. Andy Williams A study in Casual! Leo Feist, Inc.
Millei Music Corp. Hastings Music Corp. Ray is a Barnaby recording artist, below Comedy great Jonathan Winters and the "Big" General tells Andy to stop picking on my little brother. What better way to entertain people musically, than with Andy Williams stand- ing, singing a great ballad, and being shot simply and elegantly by a fine televi- sion director?
We like to keep it simple, honest, and to have it look and sound great. But of course there are a few other wrinkles to our form of comedy. Comedy is basically an outlet of emotion both for the performer and the audience. Here is a study in psychological comedy warfare, if you like. However, he said, going back to an emotional outlet, the Bear is a great emo- tional outlet for Andy.
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Andy really and truly looks forward, during the day of tap- ing, to the spot where he can shout at the Bear. The Bear is an interesting phenomenon for several reasons; it is a symbol that people can easily identify with. It is a symptom of the age we are living in, or for that matter, of any age. It is the eternal struggle of someone trying to get ahead, trying to get what they want, and always having a door slammed in their faces.
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On the surface this may not be apparent, but it is, nevertheless, a truism in this case. Andy is the symbol of straightness, honesty and blue- eyed idealism that we all secretly wish we could get back to. The things that hap- pen to him on his show are symptomatic of the society in which we are living. Everything is unreal.
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A Giant Green Duck, along with a man encased in a suitcase, will walk up to Andy after he has sung one of his big ballads, and call him weird. Captain Weird makes a statement, too. Here, once again, is all of us wanting to be one thing, desperate to throw off our present modes, but not wanting to go all the way. Andy Williams loves to be involved in the madness, and as he became more and more used to it during last season and this season, he left himself less and less time to rehearse the comedy segments so that he could react honestly to the craziness that happened around him.
We have worked out a system whereby Andy does not have to be involved in much of the actual dialogue or action of the sketches and blackouts, but rather is the focal point of them, and we get our laughs from his honest reaction to them. We had complaints last year that we interrupted him too much when he was singing. But Andy sings more on his new series than he did on his old series, if you add all the songs he sings where we interrupt him, too.
The song interrup- tions are important to the show, although the flack comes in from certain quar- ters, we also have tremendous sympathy for Andy going for us, so once again, we feel there is method in our Madness. Andy Griffith, for instance, introduced two dancing Gunny Sacks to Andy, James Garner went berserk and broke up a whole set, while Andy was singing, and Cass Elliot had a giant, Russian fir tree log dropped on her head.
Andy Williams stands amidst all this utter mayhem and chaos and sublimely sings his heart out. We have found new audiences for Andy in this strange new time period. The kids, the little kids, love it, and Andy has hundreds of letters every week from children who are hardly old enough to lift a pencil, let alone write with it.
We are currently into taping our fifth or sixth show for this season, and things are rocking along. We both say to Mr. Being one of those producers, I can assure you that the statement is true. What goes down on Saturday Night, my partner and I like to think, is just an hour packed with all sorts of things that entertain all sorts of people. Andy has up-dated his image, musically and physically, and in choosing Allan Blye and me to produce his show, has taken the chance on a brand new format that hopefully appeals to nearly everybody.
Change of course brings with it certain problems, a few dissenters, and a little initial confusion.
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We now think we have a format that is working, and Andy stands happily in the middle of it all. We believed that a composite of both would make for a great, new television experience for early evening Saturday viewers. So we set out to find fresh, clean and outlandishly different comedy patterns that would enhance H. He had done regular spots on summer shows, but stardom was elusive.
At that time, Andy :old me that the one thing he would like to do was the Dinah Shore Show, be- muse they paid top price for guest stars and he had never been offered that nuch money. They finally offered the top price, plus Special Guest Star billing, plus transporta- tion for Andy and his pianist. At the beginning, Andy was just another pretty face, but I realized that, with oroper guidance, his exceptionally fine voice could raise him above other male singers to a prominence achieved by very few.
He does his worrying before a show, but never during, and at no time does this come across :o the people. His voice abounds with confidence no matter how he might feel.
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So this: Andy Williams has never missed a performance and has never given a low, medium or even just-plain-good show; his performances are consistently great entertainment whether in concert or on the television or movie screen. Andy's followers, on the other hand, are coming to see their friend, someone their kids know and someone to whom the family can relate, collectively and individually. This broke Andy up which, in turn, broke up the audience.
If there had been a roof on that place, the crowd would've blasted it right off. It was quite an impromptu finale and a night to remember for Carbondale and for us as well. Andy also has an excellent business sense, as evidenced by the fact that he does not exactly live in the poorhouse today.
Our latest enterprise is Barnaby Records. We have some ideas about running a record company which we feel are innovative. We believe in total involvement; Ray Stevens is a good example with both recording and television careers, and this is the type of commitment we have in mind. Paul Anka and Claudine Longet have just joined the Barnaby label. In fact, there are so many things happening with the record company alone that it would take another en- tire article to accurately describe the action.
It is a pleasure to work with Andy. For one thing, he knows when and to whom to listen for advice. Although I have always used as much pursuasion as I know how which is a considerable amount , I have not always won the battle. The final decision is his. He is the one whose reputation is at stake, he is the one who must stand up and perform alone. In our years together, I have found that, even on the few occasions when his decision differs from mine, the result is successful.
For this, we are both grateful.