We built up 32, Facebook fans before launch. Then, there were a few articles, like one in Queerty, which made the app into a place for straight men looking for other straight men to get oral sex in secret. There you go then. Most of the people I chatted to on there said that they identified as gay. People have called it an app for straight men because of the design, the logo, the name, the fact that interactions include 'fist-bumps'. But maybe that kind of behaviour doesn't have to be restricted to the 'straight' male community. After all, isn't that, in itself, just conforming to another socially-constructed idea of gender and sexuality?
This app has caused loads of media speculation because, in some ways, it all seems so confusing. People have taken it as an app for confused people.
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Maybe we're just thinking about it too much though. Maybe it's all pretty straightforward. Like BRO's mission statement puts it, a place, "for men that are interested in meeting other menā¦ as simple as that".
Like I'm doing it all in secret. That's not because I'm a homophobe who doesn't want to be tarnished with homosexuality. It's because I'm in a happy relationship and I wouldn't want the missus or her mates catching me on there I think that's all it is, anyway. Coercive control: 'I was 16 and thought it was normal'. Stifled by his gray, oppressive background, a new world full of artists, writers and freedom suddenly opens up.
Driven by a love-hate relationship with his homeland and the irresistible urge to become a photographer, Harry Gruyaert becomes the European pioneer of color photography. Director Gerrit Messiaen succeeds in letting a man who communicates with images tell his story with words. The beautiful dreamy soundtrack by Tuur Florizoone is the perfect finish. Inclusive education is a hot topic, but sometimes it seems we talk about it more than we actually look at it.
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In this highly stylized, observing documentary, it is not about arguments pro or contra. This is an invitation to look at how things really go down in a classroom. Irakli is in the sixth grade. He is in a wheelchair and fights an ongoing battle against spasms.
He goes to a regular school, where he has a personal assistant. Still his presence also requires the teacher and classmates to adjust. Rosie, Sami and Nathan are also children with special educational needs who attend classes in mainstream education. When it comes to this type of inclusive education, many different opinions and various viewpoints are expressed, usually loaded with emotions.
After all, it is not a theoretical discussion for the parties involved, but a reality that has a huge impact on daily life. The film does less talking and follows - without judgment - the daily reality of these children and their environment. It takes us into the world of the children who are the subject of this big debate, but have no voice.
The experienced documentary filmmaker started out as the spiritual father of the legendary news series Strip-Tease. Manu Bonmariage made over 80 documentaries, establishing himself as a key figure in the Belgian documentary world. He lost an eye when he was 6 years old, but that did not stop him from picking up a camera and building up an impressive repertoire. He always had a camera across his shoulder and looked at the world through the lens. The honest way in which he portrayed people and their stories full of compassion and often with a healthy dose of humor was unique.
While his memory plays tricks on him, his daughter Emmanuelle goes back in time and makes a warm, humorous, and extremely honest portrait of the man who reminds us of the people he so fondly portrayed. In , the Royal Museum for Central Africa closes for renovation. Not only the building and the museum cabinets are in need of renewal: the spirit of the museum has to be brought into this century. While the tall statue of Leopold II is being disassembled, his spirit roams through the corridors and halls of the museum.
The renovation of the Museum for Central Africa is an opportunity to modernize the existence and mission of the museum.
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The taxidermied animals, the traditional masks and the dusted artefacts have to give way to a more complete, modern view of Africa. The museum calls on experts and establishes consultations with delegates from African organizations that have united in a structure set up for that purpose, COMRAF. When exhibiting minerals from Congolese soil, a scientific explanation no longer cuts it.
We also need to consider the horrible circumstances in which those raw materials were mined and the disruptive consequences for Congolese society.
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But in order to completely pry away the majestic building from its colonial identity, more fundamental questions need to be asked. Who is looking at who? And whose story is being told here? She would love to visit you, if you could just send some money so she can apply for a visa. This type of internet fraud has been around for a long time. For many young people in Ghana, it is their only way out of poverty. For his debut film, the Belgian-Ghanaian filmmaker Ben Asamoah returns to his homeland and introduces you to the people behind the emails.
Meet your scammer! A wealth of information is hidden in the mountain of burning e-waste in Ghana.
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If you have some skills you can easily grab a pile of hard disks and download photos and private data from rich Westerners. In a dusty bar, sakawas hang out to exchange tips. OneDollar knows how to drive men completely crazy with his fake account. Young mother Ama wants to earn some quick money to start her own business.
A seasoned sakawa tries to teach her the trade, but it is trickier than it looks. To convince difficult customers, the sakawa resort to the black magic of local voodoo priestesses. The combination of modern communication and old rituals brings hope for a better life. A ten meter diving tower. People who have never been up there before have to choose whether to jump or climb down.
The situation itself highlights a dilemma: to weigh the instinctive fear of taking the step out against the humiliation of having to climb down. Will be shown before Bains Publics.
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We all age, even the driving forces behind the theater and dance company Peeping Tom. Third act sheds light on their trilogy Father, Mother, Child: the plays all center around the theme of family relations and the passing of time. These themes is also present in their lives off stage. Some actors are already quite old but have no plans to retire. Leo is 80 and travels around the world with the international dance and theater collective Peeping Tom.
Being active and creative in the company of young, energetic people keeps him young. Local seniors portray the other residents of the nursing home. For them being creative is an important part of their lives too. Leo will have to choose between taking care of his wife and slowing down on the one hand and living an active life on the other.
How do you want to spend your final years? Will there be someone who cares for you?