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Forest Management in Protected Areas in Italy. Back Matter Pages Pedrotti and a short folk music recital. The symposium programme was composed of two plenary sessions, four short communication sessions divided into two sections: A — General aspects of nature protection; B — Nature conservation in practice and a poster session. The seven plenary lectures, presented by R. Pott Hannover, Germany , E. Biotope Flora biodiversity biology bird conservation biology desert ecology ecosystem environment environmental management forest molecular biology nature conservation vegetation.

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After graduating, she worked as a researcher at the Rijksmuseum, creating a national catalogue of all early photographs in Dutch collections. In , Saskia became curator of the new photography museum Huis Marseille in Amsterdam, where she worked for over 12 years. From to , she worked at World Press Photo on a new online environment for the archive of winning images. Between and she was the editor of the academic series Rijksmuseum Studies in Photography.

Armindokht Shooshtari b. Her main curatorial interests include the relationship between political situations, artistic practice and everyday life in the context of contemporary art from the Middle East and North Africa, in Muslim countries and Muslim communities living in the West. She is driven to unearth stories that are overlooked due to various social and political factors, and to do this uses found and archival materials, personal histories and socio-political narratives.

Isabel Richards b. Kay Bogard Fausel b. It was a Grand Tour-styled trip to Europe and a visit to Versailles at the age of 14 that sealed her desire to work in the arts. After completing her B. Subsequently, she worked at Doyle Auctions in New York, where she held a variety of positions. Christina Jansen b.

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She has been working in the arts since and started working with The Scottish Gallery in Edinburgh in , becoming a Director in She specializes in contemporary Scottish fine art, post-war art and contemporary applied arts, producing numerous publications and exhibitions. Rachel Lehmann b. She began her career as the proprietor of two contemporary galleries in Geneva and Lausanne, Switzerland. She has served on the International Council of the Solomon R. Together with her husband, she has built a distinguished contemporary art collection with many significant works of the late twentieth and twenty-first centuries.

Nera Lerner b. She has spent the last six years supporting and growing the gallery's long history of exhibiting contemporary photography and building space for the interpretations of the medium. Holding a dual B. Jennifer Scott b. Jennifer was Director of the Holburne Museum, Bath from to Jennifer has curated numerous exhibitions and has published widely on the Dutch and Flemish Golden Age. Franziska Gottwald b. Franziska also wrote exhibition and book reviews for German newspapers. In she received her Ph. In Franziska moved with her family to Amsterdam, where she works as a freelance art historian, conducting research and writing for exhibitions.

Megan Corcoran b. She received her undergraduate degree in Art History from Harvard University. Though always passionate about the arts, before professionally entering the art world, Megan worked in financial services at Barclays Capital, later acquiring an M. Since the onset of her career in London, Megan works as Gallery Manager for Stephen Ongpin Fine Art, specializing in old master, nineteenth-century and modern drawings and works on paper. When not in the gallery, Megan is involved as a member of the London Art Week team and as a researcher for the art market analytics firm ArtTactic in the field of old master paintings.


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Josephine Nash b. Lucy Mitchell-Innes b. In the gallery opened a second space in Chelsea. Maeve Toal b. She is particularly interested in contemporary visual arts and crafts. Recent exhibitions include Robert Callender: Plastic Beach Nathalie Bondil b. She has gained international exposure for her innovative projects and humanistic vision of the role of a museum in our modern society.

Over a year period, Nathalie has directed or curated original multidisciplinary exhibitions cinema, music, fashion that have been shown in 35 international cities. Under her direction, the MMFA has built two new pavilions, a concert hall and a cinema hall, in addition to increasing the space for Education and Art Therapy. Marilyn J. Friedland b. She received a B.

Miriam Cockx b. During her studies, she worked for the auction house Lempertz in Cologne, where she mainly undertook research on artworks for different departments. After her M. Currently, she works for Michael Werner Gallery in Cologne. She has published on the historic context of art looting and provenance research, and her thesis about the Jewish art dealer Max Stern was selected to be presented at the University of Cologne. Theda holds a Ph. Hannah Hughes b. She is a contributing writer to Saturation Point online editorial project, and her writing has been published in various exhibition catalogues.

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She began her career in advertising and publicity for film and visual effects, also working at the Vancouver Film School. She studied Critical Fine Art Practice at the University of Brighton, graduating in , and has since exhibited her work in the UK and internationally. Katrin Bellinger b. The gallery kept a busy exhibition schedule and participated in up to half a dozen art fairs annually, including TEFAF Maastricht and the Salon du Dessin.

The collection has grown to over a thousand pieces and works have been exhibited at the Sir John Soane Museum and the Courtauld Gallery. After selling Colnaghi in , Katrin, now known under her married name Katrin Henkel, became a trustee of the National Gallery and is also a trustee at the Tate. Through the Tavolozza Foundation, she supports projects in the arts, particularly those focused on works on paper.

There is a long way still to go still, but this book is inspiring as it celebrates many of the women pioneering to make these changes happen.

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Hannah Rose Thomas b. Maja Markovic b. She studied English literature and art history before completing an M. Her career in the arts has included curation, research, arts publishing and auction houses. Dana Chernock b. She spent a semester in Florence studying art history. Yvette van Caldenborgh b. She studied art history at the Rijksuniversiteit, Leiden. After graduating from university she became a curator for the Caldic Collection, which is now part of Museum Voorlinden in Wassenaar, The Netherlands. As an independent Art Consultant she helped people build their own art collection.

After living in Madrid for some years, she became a board member of the Sculpture Club and Outset Netherlands. Currently she is on the board of Museum Voorlinden and focuses on sponsorship and patronage. Catharine Becket b. After obtaining an M. Marie Reintjes b. Early on in her studies, she focused on painting.

In her practice, Marie explores painting through subjects from everyday life and snapshots of fleeting moments. She lives and works in Arnhem, the Netherlands.

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Lydia Melamed Johnson b. She was born to a family of art historians and collectors, which sparked her interest in art and art history at an early age. After learning about the sign of the Trinity, she knew she wanted to learn more about iconography and the language of paintings. Her expertise is in Italian Old Master paintings and sculpture of the late Renaissance and Mannerist periods.

Juliette Bigley b. She is an artist-metalsmith who uses base and precious metals to explore how we experience our emotional and physical place in the world. She produced her first publication, Material Perspectives, in She lives and works in London. Flora Grace Crichton-Stuart b. In , she worked in New York at the Solomon R. In October , Flora moved back to London to complete an M. She hopes to work in the field pursuing her love of paintings and objects and their colourful histories.

Zoe Karafylakis Sperling b. She held positions at Haunch of Venison and Blain Southern.


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She sits on the Advisory Board of The Feminist Institute TFI in New York, whose aim is to establish the most comprehensive cross-disciplinary digital documentation archive of materials by the leading feminist thinkers. Nicolette Bartelink b. She began her career at the Groninger Museum. She has been active as a consultant and project leader in various internationally-oriented design companies.

In , she was appointed the Director of Museum Jan Cunen in Oss, where she focused on exhibitions with contemporary artists. Mia de Las Casas b. Mia hopes to have her own textile design studio and would also like to be involved in curating exhibitions. Sophie Bremers b. Irina Sokolova b. She has been working at the Hermitage since Since , she has been the curator of the Dutch seventeenth and eighteenth-century paintings.

She is the author of many scholarly articles and exhibition catalogues. The first two parts of four were published in Russian in , the English edition is in preparation. Anna Rose Dowling-Clarke b. In , she finished her M. Marina Kellen French b.