Israel: A Century of Political Involvement. Mauritius: Still a Long Journey Ahead. India: A Contradictory Record.
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Editors and affiliations. University of Calgary Calgary Canada 2. McMaster University Hamilton Canada. Buy options. In less pleasant news, BuzzFeed revealed on Monday that Grindr has also been sharing the HIV status of its users with third-party companies. The company later said it would stop sharing the information. Though there is this new attention to sexual health, both Grindr and the research community have been silent on mental health.
Yet since , more gay men have died from suicide than from HIV. Other dating apps, like Tinder, for example, are now the subject of early research looking at mental health implications.
For some users I talked to, the allure of Grindr was not just the rush to feel good. It was to stop feeling bad. Users told me they log on when they feel sad, anxious, or lonely. Grindr can make those feelings go away. The attention and potential for sex distract from painful emotions. A staggering number of gay men suffer from depression, with some estimates as high as 50 percent.
A recent survey of , iPhone users by Time Well Spent , a nonprofit focused on the digital attention crisis, showed that 77 percent of Grindr users felt regret after using the app. The users I interviewed told me that when they closed their phones and reflected on the shallow conversations and sexually explicit pictures they sent, they felt more depressed, more anxious, and even more isolated. Some experience overwhelming guilt following a sexual encounter in which no words are spoken. And yet they keep coming back for that temporary emotional relief. One user told me that he feels so bad after a hookup that he jumps right back on the app, continuing the cycle until he is so tired he falls asleep.
Every once in a while, he deletes the app, but he finds himself downloading it the next time he feels rejected or alone. Not all Grindr users are addicted and depressed, of course. Some users I interacted with seem to use Grindr in a healthy, positive way. Why do so many of these men turn to Grindr to begin with? One year-old user told me that the only places he can find gay men are clubs and Grindr, and both are hypersexualized. The cultures of both intimidate him. The year-old is afraid of rejection, and Grindr shields him from the pain of in-person turndowns.
His relationships, he says, start with casual sex on Grindr. They first meet at 2 am for a hookup. Then the next step may be drinks. Another user told me he downloaded the app hoping to find a husband. The mental health professionals I spoke to are seeing problematic Grindr use in their clinics.
And there is little published guidance on how to help those who are struggling. By April, free, natively online festivals like Digital Mirage cropped up, and began streaming DJs from their homes, surrounded by personalia like philodendrons and French bulldogs.
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Such sets fostered a sense of intimacy with DJs whose stage personas are often carefully crafted, but the novelty of these basic live-streamed festivals soon wore off. Instead, event organizers looked to the world of video games for inspiration. Partygoers access the event through a dedicated server; once inside, they can buy merch or simply hang out, switching channels via a virtual coat check. Meanwhile, Fortnite, another free, online game, has delved into near psychedelic, physics-defying concerts starring artists like Travis Scott.
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In February of , an astonishing Accessible via Twitch, the single-stream schedule ultimately included a mix of traditionally filmed live painting and classes — think acro yoga and learning about mezcal — as well as basic streamed sets. While not fully explorable, the virtual components were compatible with VR devices.
Viewers without such equipment still got glimpses of classic LIB stages as the stream swooped through the virtual festival grounds like a drone. The lack of physical constraints in the virtual world inspired Shaw not only to go big this year but also to be more ambitious with future designs. Festivals in Europe are likewise jumping on the VR train. After seeing success with weekly live streams organized in early , the extravagant Belgian EDM festival Tomorrowland also decided to debut a virtual festival that goes beyond a basic stream.
The musicians, who range in genre from trance and techno to hardstyle and house, will be filmed in green-screen studios beforehand, then rendered in various channels. Like LIB, Tomorrowland will offer webinars, workshops and games, capped off with the type of pyrotechnics Tomorrowland is known for. Such events have opened the door to potential attendees who may have financial limitations, as well as physical or mental considerations. Their event, which took place over the July 4th weekend, was free, but attendees had the option of donating to Amnesty International and The Big Issue, a charity for people dealing with insecure housing.
Users on mobile devices could view various vantage points within the virtual world, including all four stages. And PC and VR users were able to move around inside the space using computer-generated avatars, exploring roughly artworks and literally speaking with other festival-goers as if standing next to one another in real life.
Going fully online has also opened the lineup to artists scattered around the world. And the event hosted more than visual artists, curated in part by graphic designer Malcolm Garrett. Using the American VR platform Sansar, the Lost Horizon team put in several weeks of hour days to create something that ordinarily would have taken a year or two to realize. With sets and layouts from previous years of Shangri-La already laid out in CAD software, the team collaborated with partners in different time zones to translate the eccentricities of Shangri-La into an entirely new medium.
The technologies being popularized right now, such as VR, will likely be used to augment traditional events rather than taking the place of anything. Simulating that sensation is not the point. Words : Heiko Hoffmann. Congratulations on your first Beatport number one!
As soon I saw the news I told my mom who gave me a giant hug and then I promptly opened up a bottle of champagne and proceeded to have many more drinks. When did you notice that this was something special? I knew immediately that I had made something special because I was so hyped about it that I posted a clip to all my social channels.
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The clip immediately got huge traction so I decided to put the track out ASAP as a self-release because there was no reason to wait without gigs or much of anything going on. From there I got reached out to from about every major label to sign it, but since Defected has always been the goal for me, I knew that would be a perfect home for the track. The track came together all in one night!
The vocal was actually a sample which I had downloaded a few months prior and could never really make anything work with it. I made this fun, bouncy bassline along with the drums and was looking for a topline when I found this vocal in my sample folder; and once I threw it on top they ended up clicking together. It was really just one of those studio sessions where everything came together perfectly.
Has the current crisis had an effect on your creativity or work flow? Yes so many! Also, Lee Foss, who is from here has become one of the closest people in the industry for me. As someone who also wants to start travelling to Europe more, and of course Ibiza, I always knew Defected would be the perfect home for me to fully pursue this dream.
And his sonic palate and relentless quest for enthralling, often-forgotten sounds go far beyond your typical selector. For the past decade, his label ESP Institute has ceaselessly pushed the envelope, offering a catalog of exceptional, innovative, and sometimes challenging records that reflect an endless admiration musical adventure. Dialing in from his home in sunny Los Angeles, Hogge appears on screen with an array of random objects suspended on his virtual background. With various fruits, feathers, statues, and household items floating above his head, the conversation cuts straight to current events.
The ongoing pandemic, racial injustice, police brutality, and overwhelming feelings of uncertainty are the first things on our minds.
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It was the same time he was studying graphic design at Cal Arts that his DJing ambitions started. Eventually, he became fully invested in mastering the ones and twos and made a deal with a local club to perform regularly in return for a set of turntables. I was always trying to find places that may or may not even want a DJ, work my way in, and try to play whatever I was into.
Full of creative energy and craving a change of pace, Hogge eventually decided to hop in his car and drive across the country to take a bite out of The Big Apple. Six months before transitioning to New York City, Hogge created a website that would grow into a widely cherished musical godsend for online diggers. Started in , Lovefingers.
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He hopped on trains and surfed from couch to couch. He started exploring the continent via its vast array of underground networks, forming lifelong friendships through a shared love of music. By , the name Lovefingers was ringing out in various music circles all over the world.
For Hogge, the success of Lovefingers.